Some people discover their passions over time, others are born with them. Mine has always been horses.

Brazilian and Italian by heritage, and American in soul, my connection with horses began in childhood and has quietly shaped the way I see, feel, and create. What started as imagination soon became instinct, and later, discipline through formal equestrian training.

From an early age, I was also drawn to precision and care. I began clipping my own dogs as a child, developing patience, control, and an eye for detail long before I understood their value. At the same time, drawing became a natural extension of how I observed the world. Horses were my subject, their form, movement, and expression studied through graphite with quiet dedication.

Art was never separate from me. It evolved. Photography became my language, allowing me to translate light, structure, and emotion into images. Over the years, I worked across different forms, refining a visual sensitivity rooted in balance, composition, and restraint.

My return to horses happened in the United States, where I found a true sense of belonging. In Wellington, Florida, the winter equestrian capital of the world, everything aligned. My path, my environment, and my passions came together with clarity.

Today, my work exists at the intersection of equestrian artistry and technical precision, expressed through both photography and equine clipping. Clipping, to me, is not merely functional. It is a refined process of shaping lines, enhancing the horse’s natural structure, and bringing subtle artistry into the coat with intention and discretion.

Whether through the lens, on paper, or through clipping, my work is guided by a quiet pursuit of excellence, where detail, restraint, and respect for the horse define every result.

Beyond my work, I am a wife and the mother of my daughter, Valentina, whose presence brings depth and meaning to everything I create. Each piece carries not only experience and technique, but a sense of connection, memory, and purpose.